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Mais uma do álbum "Fine Line" Mais uma do álbum "Fine Line" Música tem vídeo promocional bastante conceitual e estreia nesta semana Harry Styles segue na divulgação do seu próximo álbum "Fine Line". O músico mostrou o trailer e anunciou a data de lançamento do novo single do disco, "Adore You", que ficou agendada para o dia 6 de dezembro. No vídeo promocional, o músico cria um país fictício para o conceito da música, utilizando o nome da faixa invertido, "Eroda", e mostra a rotina dos moradores desse local, até o nascimento de um rapaz bem diferente e peculiar, que tem dificuldades para se adaptar. Solitário, ele decide dar fim a sua vida, mas depara-se com algo inesperado. Veja: "Adore You" será o terceiro single do disco "Fine Line", sucedendo as faixas " Lights Up " e " Watermelon Sugar ". O novo álbum do músico está previsto para ser lançado no dia 13 de dezembro.

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Il sera alors temps pour Mickey de prendre une décision quant à son avenir... Episode 8 L'hystérique de l'étrange lucarne Nous sommes en 1953, l'année du couronnement d'Elizabeth II, et tous les fidèles sujets de Grande-Bretagne s'apprêtent à suivre cet évènement historique à la télévision, un appareil qui commence à se démocratiser dans les foyers. Mais derrière les réjouissances, certaines rumeurs font état de monstres hantant les rues. A raison puisqu'un certain Mr Magpie cache un étrange secret... Episode 9 La planète du diable, 1ère partie Rose se retrouve bien plus loin de chez elle que précédemment, sur un monde désolé en orbite autour d'un trou noir. Piégée avec une expédition terrestre et les mystérieux Ood, les voyageurs temporels vont faire face à un danger encore plus grand alors que quelque chose de très ancien se réveille sous la surface de la planète... Episode 10 La planète du diable, 2ème partie Rose livre bataille contre les Ood avec les membres de l'expédition, et le Docteur s'enfonce dans les profondeurs de la planète où il va découvrir la Bête.

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There was plenty of crying too. When the question-and-answer session started, a young black man stood up and thanked Braff, soulfully, for "taking us on an emotional journey. " A middle-aged white woman said she and her husband had made the trip to Park City because they had seen Braff's "Garden State" here and wanted to come back for the follow-up, which they thought exceeded the first film. Outside, where a few hundred people had lined up to catch a glimpse of the film's stars as they drove off, a few teenage Park City girls told me they couldn't score a ticket but said they kicked in a few bucks on Kickstarter so they could feel connected to it. About 47, 000 other people who funded the movie on the popular website apparently felt the same way. Whatever its rough spots, "Wish I was Here" is a movie that wouldn't have been made in this way, or at all, if not for these people, who connect with Braff and were willing to hand over a credit card to prove it. And that would have been for the worse, because "Wish I Was Here" is a lot of fun and very affecting.

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Imitation of Life (rewatch) Posted by martinteller on January 3, 2014 I very rarely do the "I'm going to watch [some movie] in honor of [some actor/actress/director]'s passing" thing. It just seems kinda weird and bandwagon-y, and more about the person doing it than the person allegedly being honored. But when Juanita Moore died yesterday, I felt it was an opportune occasion to revisit this movie and show it to my girlfriend in the process. One, because I'd been meaning to anyway (the last time was over 5 years ago) and two, because it tied in nicely to the last film we watched, The Joy Luck Club, which is also about mother-daughter relationships. And it holds up beautifully. Maybe even better than All That Heaven Allows, which is now barely holding on to its position as my favorite by Douglas Sirk. It's a world-class tearjerker, and both of us were weepy at the end. While the Lana Turner/Sandra Dee plot is presented as the primary story, it's really all about Moore and Susan Kohner. Both actresses turn in stunning, rich, nuanced performances.

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